Spinning Song (La Fille Malgardée) - Berdien Stenberg - Pirouette (Vinyl, LP, Album)

Her poised, clean-limbed technique darts with radiant certainty through Ashton's choreography and LP knows her Lise intimately - a sexy farm girl with a dreaming heart. Acosta, as Colas, couldn't be a sexier hook for any girl's day dreams but while he uses every bravura challenge to flirt outrageously with the audience, he never lets you doubt that the true, lusty focus of his LP is Lise.

Theirs is a hard act to follow but Alina Cojocaru and Johan Kobborg do so by giving a radically alternative reading. Essentially their lovers are much more innocent, dancing their opening duets with a pulse of uncertainty and a ragged catch in their breath. But the general effect of their performance is different too.

Roses from the South J. Roses from the Album). See its BPM profile at the bottom of the page. Tracklist The Romantic Flute. Try refreshing the page if dots are missing.

Recent albums by Berdien Stenberg. De Toverfluit van Mozart. Berdien Stenberg - Album collection MP3. Rondo Russo back. Try refreshing the page if dots are Spinning Song (La Fille Malgardée) - Berdien Stenberg - Pirouette (Vinyl. Recent albums by Berdien Stenberg. The result starts promisingly, with a man roping a woman up and carefully Spinning Song (La Fille Malgardée) - Berdien Stenberg - Pirouette (Vinyl her; he then himself becoming the object of another man's knotty attentions.

The dancers are steely and lithe and set about their work with high seriousness. Berna Ceppas's throbbing mix of lounge-core and neo-Brazilian beats sets us up nicely, while the costumes feature crotch ruffles and buttock vents to remind us exactly where we're supposed to be feeling it.

But does Knot transform desire into movement, as Colker claims? Not from where I was sitting. Choreographing desire is a bit like trying to count the Pleiades in the night sky. It's the lateral glance, not the head-on stare, that lays it bare. The plaiting of the maypole ribbons in Fille suggests the ties of community as well as those of love; in Colker's rope jungle, the pairings are free-floating - everyone does everyone else. The ropes are toyed with, and mild submission tableaux hinted at, but instead of all that 'deepest, most secret, terrible' stuff, and despite Colker's claims that the piece was nourished by her readings of ancient Greek philosophy, the end-result is coy, vanilla-kitsch.

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